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Online Exhibits

The National Library of Israel

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A Timeless Script: Handwritten Passover Haggadot

The story of the Jewish exodus from Egypt after hundreds of years of enslavement is one of the greatest sources of inspiration in the history of the Jewish nation.

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Maps of the Holy Land and Jerusalem

From ancient times the Holy Land has been the focus of great attraction for Jews, Christians and Muslims alike. Throughout the ages Jews and Christians have made pilgrimages to the Holy Land, envisaged scenes and stories from the Scriptures, and dreamt of it from afar. Many of them left behind descriptions and studies of the Holy Land accompanied by scenes and drawings. The Eran Laor Cartographic Collection in the National Library of Israel contains about 1,500 maps of Jerusalem and the Holy Land from the beginning of print until today.

The Israel Museum, Jerusalem

Questions of Identity

Costume from the collection of the Israel Museum, Jerusalem

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Menachem Begin Heritage Center

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Camp David

40 Years Anniversary of the Camp David Accords

Yitzhak Rabin Center

Yitzhak Rabin: A Life of Public Service

Childhood, Soldier, Statesman and Prime Minister

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Suzanne Dellal Centre for Dance and Theatre

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ROOSTER by Barak Marshall

A co-production of The Suzanne Dellal Centre and The Israeli OperaPremiered November, 2009 - The Israeli Opera - Tel Aviv Performing Arts Center - Tel Aviv Dance 2009. This work is based on I.L. Peretz’s Bontscha the Silent, Samuel Beckett’s Waiting for Godot as well as several stories from the Bible and Yemenite folklore.  

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SHADES IN DANCE - GVANIM BEMACHOL

Established in 1986, Shades in Dance is a bi-annual mentorship program that pairs young choreographers with a professional artistic director to create a fully produced premiere that serve’s as these artists’ debut into the Israeli dance scene. Many of today’s top Israeli choreographers began their professional careers as part of this project, including Barak Marshall, Inbal Pinto, Emanuel Gat, Liat Dror & Nir Ben-Gal, Vertigo Dance Company, and many more.

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